Maroon Archive.
an exhibition zine
for my mother.
and her mother.
for my mother.
and her mother.
1: formerly enslaved Africans and their descendants who gained their freedom by fleeing chattel slavery and running to the safety of remote terrains throughout the Americas and Caribbean.
2: taken from the Spanish word "cimarrones" meaning unruly, fugitive, and wild.
ma•roon (noun)
a note from the curator
I am Liberian American and the daughter of a Librarian–two things that define me in many ways. Throughout the late 90s, I grew up in my mothers library and on the many floors of the public libraries across Durham. There my love for reading, writing, and learning was fostered. Reading, whether in the physical or digital world, and being in community with elders and community members, is what radicalized me. It taught me about the infinite realities of creativity and my identity as a Southern black woman whose family left West Africa in pursuit of the many possibilities scattered across oceans.
Maroon Arhcive came from a sudden fascination with maroons and the migration of black people across space and time, including my own families migration and displacement.
The art and books in this collection are evidence of the possibility of blackness, and the recorded histories, realities, and visions of black folks across the diaspora.
All of the books and archival material featured in this collection were carefully curated from my personal collection with some items lovingly lended from the collections of local artists and community members. They cover a wide variety of topics including art, revolution, film, black feminism, technology, and more.
Clear-Knowing
Aliyah Bonnette
2021
Quilt with oil
Approx. 45 X 62 inches
Saye and Ralph
Kennedi Carter
2021
16x20, Fine art paper
In 2021, I co-conceptualized Parables, a photo salon capturing black people and black literature, with photographer Kennedi Carter. Through this project, we invited black folks to come to Reparations Club, a black bookstore in Los Angeles, to sit for photos with Kennedi, featuring beloved books from their personal collection or Reparations Club’s curated collection.
Saye and Ralph depicts the hands of my maternal cousin, Saye Wuo, holding Invisible Man by Ralph Ellison.
This image was developed and minimally restored from a found 35mm negative and depicts two black dancers performing at Lincoln Center’s 10th annual Out of Doors Festival in New York City. From Marcella Zigbuo Camara’s personal found photo negative archive.
2. 85 to africa - jidenna
3. tezeta (nostalgia) - mulatu astatke
4. feelin it - jay-z
5. flaunt - mick jenkins
6. almeda - solange
7. millionaire - kelis ft andre 3000
8. riot - earl sweatshirt
9. lets start - fela kuti ft ginger baker
10. runitup - tyler, the creator
11. ungodly hour - chloe x halle
12. colors - pharaoh sanders
13. rare essence_tma_83 bpm - kelela
14. past, present, & future - demon fuzz
15. $payforhaiti - kaytranada ft mach-hommy
16. little sunflower - dorothy ashby
Mapping, Rendering, Grandma Lolo and Her Children
Ambrose Rhapsody Murray
2022
Natural dyed silk, cotton, vintage kantha quilt, found curtain, woven jacquard tapestry and digital print on netting (archival family photos).
This image was developed and minimally restored from a found 35mm negative and depicts a woman with a basket on her head, as others pass by. Taken by an unknown amateur photographer in Liberia in 1958. From Marcella Zigbuo Camara’s personal found photo negative archive.
May you study the pink of yourself. Know yourself riverine and coast. May you taste the fresh and the saltwater of yourself and know what only you can know. May you live in the mouth of the river, meeting place of the tides, may all blessings flow through you
-alexis pauline gumbs, undrowned
Durham, NC hip hop. Vibe Magazine. November 2004.
"the role of the artist is to make the revolution irresistible" - toni cade bambara
Read
Watch
Listen
Elsewhere on
the internet
For additional recommended resources and a full list of the texts and media included in this exhibition, e-mail the curator at askygb@gmail.com
Deepest gratitude to the artists, librarians, archivists, & curators who informed this work and made this project possible.
Thank you to Mavis Gragg, Laura Ritchie, & the gallery assistants at Pop Box Gallery.
Thank you to Aliyah, Ambrose, and Kennedi for your art, stories and vulnerability.
Thank you to Cameryn and Kennedi for providing additional archival materials and texts. Thank you to my creative collaborator, Derrick. To the librarians at UNC Chapel Hill. To Lindsay Metiver of Peel Gallery and Roylee Duval of Through This Lens.
Thank you to our ancestors. To my ancestors. And to my mom, Agnes Zigbuo Raynes.
-Marcella Zigbuo Camara